Wednesday, July 28, 2010


After viewing Richard Serra's murky black oilstick drawings at various galleries in NYC, and recently being awed walking through a number of his monumental sculptures at Dia Beacon, I have been waiting for the opportunity to make a piece that reflected the profound weight/weightlessness of his impressive work. It seems to have come together in this live improv, especially in the weighty repeated motif produced by the ::VTOL:: Corvax synth that best reflects my take on Serra's potentially crushing work.


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