Headless Potential

After quite a few years lost in the wilderness of Buchla, Serge and euro-rack explorations, I find myself once again drawn to six strings. Starting as a blues player I branched out in to what can only be termed exploratory guitar noise without completely losing my tonal center. Sort of, to use a painting analogy, Cy Twombly meets Robert Ryman in a darkened room...quiet corners erupt into mayhem!

The grey Teuffel guitar and the pink Klein appeal to my need for non-conformity. Perhaps the headless guitars can function as an metaphor for my romantic need for unfettered creative "frequency painting" a la Duchamp. The Teuffel is the first industrial guitar; its controls produce a cacophonous outpouring, grey blasts of sonic detrius and smears. Both instruments can produce an acceptable traditional guitar sound, but as function may well be suggested by form, they beg to explore and experiment.

With all this synth obsessiveness as part of my recent history, we'll see where this takes me?