This 1997 release, essentially a G. Lewis statement, follows the same sonic template as the best Dome releases. All disjointed crunchy rhythms and synth/noise stabs and loops, Catch Supposes does not disappoint those with a fondness for Dome's experimental noise explorations. I'm curious how this wonderful addition to the Wire/Dome discography got lost. Though one of the song titles is Solid or Vanish (yet another in the list of beautifully ambiguous song titles found throughout their arcane discography!), this release is indeed solidly compelling; those who seek it out will be rewarded!
Monday, April 18, 2011
SAMPLE & HOLD : he said omala / catch supposes
This 1997 release, essentially a G. Lewis statement, follows the same sonic template as the best Dome releases. All disjointed crunchy rhythms and synth/noise stabs and loops, Catch Supposes does not disappoint those with a fondness for Dome's experimental noise explorations. I'm curious how this wonderful addition to the Wire/Dome discography got lost. Though one of the song titles is Solid or Vanish (yet another in the list of beautifully ambiguous song titles found throughout their arcane discography!), this release is indeed solidly compelling; those who seek it out will be rewarded!
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